Rating: ★★★☆☆ (3/5)
Release Date: December 25, 2024
Varun Dhawan and Keerthy Suresh’s latest action-drama Baby John hit theatres this Christmas, bringing a masala-packed spectacle to fans. Directed by Kalees and presented by Atlee, the film reimagines the blockbuster Tamil movie Theri, starring Thalapathy Vijay. Despite its high-octane action and emotional beats, Baby John stumbles with uneven storytelling, over-the-top sequences, and underutilized characters.
Baby John follows the dual life of John (Varun Dhawan), a mild-mannered father raising his daughter, Khushi (played by the impressive Zara Zyanna). However, John’s tranquil life is a façade for his real identity—Satya Verma, an ex-cop who faked his death after a tragic encounter with a corrupt minister (Jackie Shroff). Haunted by the murder of his wife Meera (Keerthy Suresh) and his mother, Satya is forced to confront his past and re-emerge as a justice-seeking savior.
From heartwarming moments with his daughter to gravity-defying stunts and a fiery horse-riding climax, Baby John aims to deliver a blend of emotions, heroism, and spectacle. The film even features a surprise cameo by Salman Khan, adding an extra layer of excitement for fans.
Varun Dhawan shines as John/Satya, showcasing a mix of vulnerability and swagger. His dynamic screen presence elevates the narrative, particularly in action-packed sequences and heartfelt moments with his on-screen daughter.
S Thaman’s music is a standout, with chartbusters like “Nain Matakka” and “Bandobast” blending seamlessly into the film’s high-energy narrative. The background score intensifies the drama and adds a cinematic punch.
Salman Khan’s appearance as Agent Bhai Jaan is a crowd-pleaser. His banter with Varun Dhawan is a nostalgic nod to classic Bollywood moments, adding a fun break in the narrative.
While inspired by Theri, the film lacks originality. The linear storytelling and clichéd dialogues dilute the impact of emotionally charged moments. Certain scenes, such as Satya’s exaggerated bravado, feel more gimmicky than heroic.
The film heavily relies on masala elements—slow-motion entries, melodramatic speeches, and gravity-defying stunts. While entertaining, these moments often overshadow the narrative coherence.
Despite touching on serious issues like women’s safety, the film treats these themes superficially. The emotional core gets lost in the spectacle.
Netizens have been divided:
Baby John is an ambitious attempt at blending emotional drama with mass-appeal action. While it succeeds in delivering entertainment, it falters in crafting a cohesive and impactful narrative. For fans of Varun Dhawan and masala cinema, this film is worth a watch, but don’t go in expecting a cinematic masterpiece.
Final Rating: 3/5
Baby John is a festive treat best enjoyed with popcorn and a pinch of patience.
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